Friday, July 04, 2008

Metalcore

Just like with hardcore, I'm not as big into Metalcore as I once was. At one point, I was fully into Hatebreed, played their cd "Satisfaction is the Death of Desire" constantly - simply an AMAZING release, and considered by many to be a classic - probably one that brought metalcore further into the mainstream than it's ever been.

Flash forward ten years, and I'm married now, and have a good-paying job that helps bring the creature comforts when I want them. Simply put, I'm just not as ANGRY now. Sure, I have my moments, but as a whole, there's not a lot of heavy music lately that WOWS me like it used to... except maybe Lamb of God's "Ashes of the Wake" or Thowdown's "Vendetta".

Thinking about it now, the thing that has always made a heavy album stand out for me has been if the band can write good hooks, and create songs that are memorable for more than just being heavy.

A recent cd that caught my attention has been Sworn Enemy's "Maniacal."

"Maniacal" has hooks. Period. I was never really into Sworn Enemy all that much. I couldn't really tell you why - maybe it was the vocals, maybe it was simply I didn't find the songs all that memorable.

With "Maniacal", it seems that Sworn Enemy has learned how to turn up the HOOK quotient. Check out this review from AMG's Alex Henderson:

"Much has been written on metal and hardcore websites about the evolution of Sworn Enemy, who came out of New York City's hardcore scene in 1997 and became increasingly thrash metal-minded as time went on. This 2007 recording/2008 release definitely turns up the thrash factor, drawing on influences like Slayer, Exodus, Megadeth, and Anthrax. But Sworn Enemy haven't forgotten their hardcore roots; in fact, "thrashy metalcore" is probably the best way to describe Maniacal, which was produced by Tim Lambesis (of As I Lay Dying fame) and guitarist Joey Z. (Life of Agony).

Lead singer Sal LoCoco still sounds like a hardcore/metalcore vocalist; he screams and yells his way through this 34-minute CD, never failing to sound angry and rage-filled. And Sworn Enemy have no problem making metalcore and thrash sound like a perfectly logical combination because that is exactly what they are. It's true that hardcore and thrash had different beginnings; hardcore was a direct offshoot of punk, and thrash came about when headbangers were influenced by punk and starting playing a lot faster (Motörhead was arguably the first thrash metal/speed metal band, and the likes of Venom, Slayer, and Metallica weren't far behind).

Essentially, hardcore was punks acknowledging metal, while thrash was metalheads acknowledging punk -- and on Maniacal, punk and metal elements unite to create a loud, vicious, head-kicking sensory assault. There are, of course, numerous bands engaging in metalcore-related activities in the 21st century, but the thing that ultimately makes Maniacal worthwhile is the band's ability to come up with a fair amount of strong hooks.

Perhaps working with Hatebreed's Jamey Jasta taught them the value of hooks -- Hatebreed, after all, has had some of metalcore's best hooks -- and while Maniacal isn't quite as consistent as it could have been, it is still a generally decent example of Sworn Enemy's ability to thrash their way through metalcore."

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